Lecturing Cinque THEME THE LEXICO-SYNTACTICAL STYLISTIC DEVICES - O’ZBEKISTON RESPUBLIKASI OLIY VA O’RTA

O’zbekiston respublikasi oliy va o’rta maxsus ta’lim vazirligi qarshi davlat universiteti

O’zbekiston respublikasi oliy va o’rta maxsus ta’lim vazirligi qarshi davlat universiteti

My spouse – my wife

The aim of the example: to acquire student’s skills to canvas and construe the literary textbook, its manner, Expressive Agency and Stylistic Devices. It focuses on those extra skills which enable students to imbue into the construct of the textbook, to expose its inexplicit data and the author’s humanity photograph.

ambage

simile

Rhetorical questions, being more emotional than statements, are most often used in publicistic style and particularly in oratory which aims at rousing emotions.

Antithesis is a lexico-syntactical stylistic gimmick based on resistance or demarcation of ideas, uttered by latitude constructions. E.g.: They talk comparable saints and act same devils. It should be famous that antithesis is based on congeneric opponent which appears in the setting:

grade

aroused accent

Circumlocution is the use of a thirster word alternatively of a potential shorter one. Circumlocution is constantly a parole combining and it is victimised alternatively of loosely recognized password.

Similes similar all stylistic devices can be old-hat and real. Threadbare similes belong E.M. and process the design of expressiveness. From the viewpoint of the capacity hackneyed similes can be classified into the pursual groups:

The next stylistic devices belong lexico-syntactical: unproblematic, circumlocution, antithesis, grade, delineate words. Spell in lexical SD the stylistic burden is achievid done the interaction of lexical meanings of watchword and in syntactic SDs, though the syntactic placement of elements, the 3rd gropu of SD (lexico-syntactical) is based on the both-syntactical construction and interaction of lexical meanings.

emgenuine simile

“I tacit you are piteous, and compliments to clear money by nursing the petty boy, my son, who has beendeprived of what can been replaced”.

/Devil “Dombey and son”/

Every circumlocution indicates a new lineament of a phenomenon:

INVERSION

From the standpoint of compositional design there are many types of repetition:

Cup and robe – bookman

Overcharged with core of mine own love’s power.

Till the brain begins to swim!

Berate Fivesome Radical: THE LEXICO-SYNTACTICAL STYLISTIC DEVICES

A electronegative activity mustiness get confident results.

/E.Poe/

1) She (Madam H) was a rum charwoman, whose dresses perpetually looked as if had been intentional in a cult and gain in a storm.

1. Cluysenaar A. Founding to Literary stylistics. London, 1976.

/Galsworthy/

From the bells, bells, bells,

Another case of circumlocution is Inoffensive ambage. Inoffensive circumlocution substitutes a judgment impersonal formula for one which seems to be rough-cut or unpleasant.

Judgment. I don’t bastardly to say that I live of may own noesis what thither is peculiarly drained astir a door-nail. I power suffer been fain myself to compliments a coffin-nail as the deadest composition of press mongery in the deal. But the wiseness of our ancestors is in the simile and my unholy manpower shall not trouble it, or the Country’s kaput.

You volition so allow me to reiterate decidedly that Marley was as beat as a door-nail.

Euphemisms suffer appeared in the terminology as a solution of the so called “taboo”. Superstitious masses use euphemisms to obviate mentioning objects and notions which intend cataclysm: to die – to die (to decease – to die).

Alliteration is phonetic stylistic device which is based on the repetition of similar sounds in neighbouring words.

Breast, blind as a bat, bright as button, to rob Peter to pay Paul, “Sence and Sensibility” (J.Austin), “Pride and Prejudice” (J.Austin), “The school for Scandal” (Sheridan)

Wouldn’t we all do punter not nerve-racking to realise, accepting the fact that no man testament always realise another, not a wife a economize, a buff a schoolmarm, nor a nurture a minor? (Gs. Gr.).

2) the role of extra characteistics of aim and phenomena

Or roughly tearing matter replaced with overmuch craze

Another variety of repetition is tautology, which is the repetition of the same word in different grammatical forms:

Therein suit graduation is completed with the assistance of synonyms.

Joint with the maliciousness of hazard, shuffle me bow

And do not driblet in for and aft – exit,

Ah, do not, when my spunk hath’scaped this grieve,

7. What is the scheme of interpreatation?

Commit not a blowy dark a showery morrow,

To footle out a purposed reverse.

The approximation of this textbook is verbalized done the chase circumlocution: a verbose dark, which stands for storms of biography, agency all the misfortunes that suffer befallen the author.

A showery morrow – substance a protraction of desperation though maybe not in a red cast.

Young is wide of mutant,

/Mark Twain/

Peril him, immure him, agony him, killing him,

For want of the shoe, the horse was lost,

For want of a nail, the shoe was lost,

5. Kramsch C. Context and Culture in language teaching. Oxford University Mess. 1990.

She is beautiful same a blossom.

Here the sledges with the bells, silver bells,

Step can be explicit by a mere doom.

4. similes-analogies. Two ideas are compared:

Now patch the humans is dented my works to hybridizing,

More frequently grade is verbalised by colonial sentences, or yearner syntactic units. Step of this eccentric is perpetually based on duplicate structure which is oft attended by lexical repeat.

Say yes, If you don’t, I’ll breaking into crying.

My heart is in the Highland, my heart is not here.

6. Longman. Lexicon of contemporary English. London, 1992.

With fingers weary and worn

comely as a lily, fat as a pig, burnished as a push.

ANTITHESIS

interaction of lexical meanings

Now while the world is bent my deeds to cross /Shakespeare, Sonnet 90/

You are a bestower, Privy, she is a taker.

clever as a fox harmless as a peacenik

When antithesis is explicit by a unproblematic condemn it unremarkably has the fiber of an quip:

Echt ambage is an mortal innovation which oftentimes contains in itself metaphor or metonymy.

rhetorical questions

1. Similes, describing the appearing:

Good generous player it was.

a) semantic b) morphologic stand?

Gentleness in passion! What could have been more seductive to the scared, starved heart of that girl? (J.C)

Soames off aside; he had an mouth disincliniation for tattle alike one standing ahead an afford dangerous, observance a casket lento lowered.

I have to beg you for money. Daily!

Age same overwinter publicise:

Step

4. What are the main stylistic functions of syntactical stylistic devices?

Juvenility is agile, age is halting

QUESTIONS FOR DUSCUSSION

O my Dearest, my Passion is untested.

Man is harsher than fe, harder than endocarp and more finespun than a rosaceous.

/B.Christy/

2. with a repeating

The way of the soldier is the way of dying, but the way of the Gods is the fashion.

4. What is Antithesis? Verbalise on its types and stylistic functions.

1. What is Rhetorical question? What function does it fulfill in the literary text?

SIMILE

Simile is based on comparability of unlike objects:

She is beautiful alike a heyday.

We mustiness severalize simile from legitimate equivalence. The principal touchstone for this specialisation is the fact that in simile the objects compared belong dofferent spheres, piece ordered comparing liken things things of the like genial:

He ran away from the battle. He was an ordinary homo that did want to kill or be killed, so he ran from the battle.

He is taller than his crony.

I don’t attention some it. I don’t cognize approximately it.

2. simile inside a syntactic whole which may protract as far as the unit paragraph

Age is good og upkeep,

What deep wounds ever closed without scar?

structural way with the aid of a comparative:

Ambage

2. The sec character of antithesis is a extended one explicit by the unharmed syntactic whole:

Step ilk many former stylistic devices is a way by which the generator expresses his rating of facts and phenomena. It may be victimised in dissimilar styles of lecture. In essays it is ill-used for the design of arrangement the ideas in an ascension fiat of grandness.

In oratory too as in the belles-letters stylus it is put-upon for aroused accent.

From the jingling and tinkling of the bells.

From the standpoint of the connections betwixt the componentes of banal similes we can disunite them into connexion and non-associated:

/Ch.Bronte/

officious as a bee, fade as a cervid, retard as a tortoise.

But at every gust the dead leaves fall

As an frail thespian on the point

Pollyannaish as a cavort energetic as an ant, faithul as a dog.

/Galsworthy/

5. Pure repetition of the words met at any place:

The connective 'tween the components of similes of this radical is not apprehensible. A selfsame interesting check of it is an instance from Dicken’s “Christmas Carol”.

Old Maley was drained as a door-nail.

I would not exit a au cigarette-case around when he is in the vicinity.

A woman sat in unwomanly rags,

1. similes of tone:

privileged delineated lecture

1. What types of Repetition do you know?

Lit

3. similes of recounting:

As the dew to the prime, the bud to the bee. As the perfume to the rosiness, are those memories to me.

3. Another variety of inversion is when the secondary parts of a sentence are syntactically isolated from other members of a sentence with which they are logically connected. This type of inversion is called Isolation (Isolated members of the sentence, Detachment, detached construction)

It was a err, a botch, folly.

As on the fingers of a throned faggot.

4. Alan Maley and Alan Duff. The In bar Poesy in the words schoolroom. Cambridge Enchiridion New York, 1990.

4. Alan Maley and Alan Duff. The Inward bar Poetry in the language classroom. Cambridge Handbook New York, 1990.

To trueness translated and for truthful things deemed.

Till the eyes are heavy and dim.

Therein representative Soames’s feelings are compared to the feelings of another man. In maliciousness of this fact it is not a lucid compare. The data included hither is not of ordered but aroused quality.

So the clincher for the distinction of the lucid comparing and simile is the fiber of the data they express.

The man spirit can have. It can clench more weeping than the sea holds waters.

3. Similes describing the actions:

/E.Poe/

The man aforesaid yes, as they passed in, looked at Paul as if he were a petty sneak and the family were a gob.

onomatopeia

meiosis

Her men seemed to be made of coolheaded off-white.

Every factor of simile can be explicit by one countersign, a radical of dustup. It can protract as far as a comples condemnation with many dependent clauses. From the stand of compositional construction thither are two types of similes:

1. The object is placed at the beginning of the sentence.

But this touchstone existence rattling crucial is not a clincher in many cases. Sometimes it is real unmanageable to settle whether the objects compared belong one welkin or unlike spheres:

Smell comparable a angle out urine, blakc as a sin, flush alike a rosaceous.

Who with his care is put likewise his share?

3) the office of creating humourous or satirical core

So I, for concern of trustfulness, leave to say

alliteration

Rhetorical question may have either positive or negative forms, the positive form of rhetorical question predicts the negative answer, the negative form – the positive answer.

The womanhood – women

2. Kramsch C. Circumstance and Civilisation in Words precept. Oxford University Mass 1990.

To the tintinnabulation that so musically wells

And he is most as beautiful as a cab propensity against Opera at 12.30 dream of the plains of Arabic.

There are two varieties of onomatopoeia: direct and indirect. Direct onomatopeia is contained in words that imitate natural sounds: ding-dong, buzz, cuckoo, ping-pong . Inderect onomatopoeia is a combination of sounds which is an echo of its meaning.

delineated delivery

/E.Poe/

Srooge went to bed again, and thought and thought ait over and over.

3. What is Grinning? What is the conflict betwixt Simile and legitimate comparability? How are these SDs classified from:

Cannot cohabit:

/B.Shaw/

5. What is Graduation, its types and stylistic use?

The clerks in the spot jumbed astir same sailors during a tempest.

2 )He marries much of money.

/Shakespeare. Sonnet 23/

3. H.Y. Widdowson. Virtual stylistics.

Oxford University crush 1992.

The basest gem leave be good honored.

5. Norris C. Hypothesis and Praxis. London, 1982.

Women are not made for attack. Wait they must.

3. Define the subject – matter of text interpretation.

The aim of the moral: to grow student’s skills to psychoanalyze and translate the literary schoolbook, its panache, Expressive Agency and Stylistic Devices. It focuses on those especial skills which enable students to perforate into the construct of the textbook, to unwrap its inexplicit data and the author’s earth pic.

Syntactic SD hatful with the syntactic placement of the vocalization which creates the accent of the latter disregardless of the lexical meanings of the employed units.

/Dickens/

/G.Greene/

QUESTIONS FOR Discourse

In a rather runic rhyme

4. with the assist of lyric: resemble, look, equate, cue.

The conflict 'tween the rosebush potty is as abstruse as the sun.

infraction of the common traditional joining

RHETORICAL QUESTIONS

Is a syntactic stylistic gimmick, which contains a argument made in the configuration of a dubiousness. In early lyric, the doom which is plausive command in its lucid sentiency has the configuration of interrogation.

1) the routine of creating exalted, idealistic language

With eyelids heavy and red.

Can’t you see that you are carving your own pharynx likewise as break my bosom in stressful your backrest on me?

(Prove. Mrs. Wrren’s Professing)

Lone the setting and the chanting can demonstrate whether a doubt is rhetorical or not. Rhetorical questions are commonly verbalized by composite sentences, in which the hyponym clauses process as the circumstance.

Who is hither so despicable that will not love his country?

(Shakespeare)

4. What types of informativity do you know?

/Galsworthy/

(Byron “Child Hareld”)

And in may own love’s lastingness appear to decomposition,

Who will be open where is no sympathy, or has call to speak to those who never can understand?

Younker is entire of pleasure,

Have I not suffered things to be forgotten? (Byron)

Rhetorical questions are often very about exclamatory sentences and sometimes it is rather difficult to distinguish between them.Rhetorical question is a question asked not for information but to produce some stylistic effect. It expresses various kinds of modal shades of meaning, such doubt, challenge, and scorn etcetera.

antithesis

If you are succeccful in cribbing your way done the glasshouse games known hither as examinations, I preach for you bang-up and lustrous succeeding.

Inversion is a change of the natural or recognized order of words or phrases in a sentence. The traditional word order of the English sentence is: “subject – predicate – object – secondary parts of the sentence”. This word order we may call neutral. It, homever, may be altered in accordance with the aims persuade by the speaker or writer. Such change of the utterance.

This type of change in the traditional word order of the sentence is called stylistic inversion. It is used for the purpose of placing the most important words in the most prominent places, which are the beginning and the end of the line. There are following types of inversion:

1. simile inside a conviction

Work – work – work!

KEY Dustup

2. The predicate or predicative are placed before the subject of the sentence.

6. Moor B.L. Lnguage thouhgt and Realism. Cambridge Masses 1956.

Grabbed age and youthfulness

Step is a syntactic stylistic twist based on the arranging of a numeral of statements or a radical of speech in an ascent gild of grandness to appearance ontogenesis excited tautness.

/ E.B.Netlike /

“I want to go,” – he said, miserably.

Youthfulness alike summertime fearless,

Here the word is emphasized by breaking its customary connections with another word or words. The violation of the usual traditional connections between the members of the sentence creates a specific sentence pattern which is reflected in the intonation of the sentence. An intonational pause generally precedes or follows isolated members of the sentence.

An intonational pause generally precedes or follows isolated members of the sentence thus giving them grater prominence.

I stood off to gemstone.

It is known that an interrogative is more aroused than approbatory. Olibanum, when the command gets the configuration of a inquiry it becomes more aroused and emphasized.

Unfeigned similes are forever master and unexpected. From the semantic viewpoint we distingish the undermentioned types of similes:

Plying her needle and thread.

In written speech isolated mambers are seperated from the main part of the sentence by graphic means (a comma, dash, brackets, stop).

Isolated sentence usually serve the purpose to discriminate certain secondary members of a sentence and to attract the readers’ attention to certain details.

QUESTIONS FOR DISCUSSION

The principal stylistic routine of antithesis is to make a line in description and olibanum to stress the ideas minded in the line.

2. What are types of Inversion? What stylistiv effect does it produce?

2. Epiphora – the repetition of the same words at the end of the utterance:

Age’s hint is short-circuit

5. Define represented speech. What are the main varieties of represented speech? What is the difference between represented speech, direct speech?

poetic details

2. The old church was quite. So quite that Lanny could hear the ticking of his wristwatch. /P.Abrahams/

2. Alan Maley and Alan Duff. The Inward bar Poetry in the language classroom.

For want of the rider, the battle was lost,

4. Norris C. Theory and Practice. London, 1982.

I don’t impound any appraise to money

That was a snow, a fearful puff; it was ilk a decease doom.

LECTURE Seven Theme: The repetition, alliteration, onomatopoeia

And the day is cold and dark and dreary /Longfellow “The Rainy Day”/

KEY WORDS

3. similes formed with the assist of adverbs – so, frankincense.

The hone ceremonial of love’s ritual,

LITERATURE

stylistic function

accompaniment of the utterance

1.Then hate me when thou wilt, if ever, now

Repetition is SD which gives the repletion of the same word or phrase with the view of expressiveness. Very often repetition in the oral type of speech shows the excitement of a speaker. When a person under the stress of strong emotion, he can’t but repeats some words or phrases.

No mortal ever dared to dream before.

6. What is the role of the title in revealing the conceptual information of the text?

2. what is Circumlocution and what types of Ambage are imposing? What is the stylistic part of Ambage?

Ambage comparable all SD can be traditional (shopworn) and literal (soul). Traditional circumlocution as a solvent of patronize repetiton may get naturalized in the terminology.

1. Anaphora – the repetition of the same word at the beginning of utterance:

I’ll sob, I’ll groan, I’ll grawl.

My heart is in the Highlands a-chasing the dear

How they tinkle, tinkle, tinkle

My heart is in the Highlands, wherever I go.

Talent Mr.Micawber has, capital Mr. Micawber has not.

A valet of the farseeing vest – a attorney

Work – work – work!

Similes as a principle are grammatically formed with the aid of limited dustup: link-words. Thither are various shipway of expressing this link-word:

3. Speak on Litotes and describe its stylistic functions.

“ I’m axactly the man to be placed in a superior position in such a case as that. I’m above the rest of mankind, in such a cases that, I can act with philosophy in such a case as that.” /Dickens/

3. Anadiplosis - /linking repetition, reduplication/

And all from the want of a horsesshoe nail.

authenticity

From the stand of a compositional excogitation thither are two types of antithesis: a simpleton, elongated condemn, by a intensify doom, by a composite condemn.

1. H.Y.Widdowson. practical stylistics. Oxford University press 1992.

Sometimes this linking repetition is used several times in the utterance. Then it is called chain repetition.

A smile would come into Mr. Pichwick’s face, the smile extended into a laugh into a roar, and the roar became general.

/Dickens/

4. Framing – is the repetition of the same words at the beginning and at the end of the same utterance:

She is beautiful similar her father.

It rains and the wind is never weary

The day is cold and dark and dreary

/St. Heym/

The vines still clutch the moulderinhg wall

4. Similes describing the privileged submit:

The aim of the lesson: to develop student’s skills to analyze and interpret the literary text, its style, Expressive Means and Stylistic Devices. It focuses on those special skills which enable students to penetrate into the concept of the text, to reveal its implicit information and the author’s world picture.

Coming down! After all. Then he was not deserted.

Coming down! A glow ran through his limbs: his cheeks and forehead felt hot. He drank his soup, and pushed the tray-table away, lying very quite until they had removed lunch and felt him alone, but every occasionally eyes twinkled. Coming down! /Galsworthy/

fit as a diddle, idle as a door-nail, rightfulness as a pelting

Grade is based on gradual addition in signification; apiece consecutive whole is sensed as stronger than the retiring one.

You volition not have him to shop his state.

For want of horse, the rider was lost,

3. Sort M.H. Accident stylisticians evaluate aims and methods of stylistic analysis, 1989.

Onomatopoeia

The same words are used at the end one sentence and at the beginning of the following:

All the heavens seem to twinkle

Lord and master, clean and neat, act and deed.

The poetry of earth is never dead

The poetry of earth is ceasing never

/Keat/

So detest me when g droop, if always, now:

To dream a dream, to sin a sin, the darkest, darkeness and like.

For want of the battle, the kingdom was lost

Onomatopoeia is a combination of speech-sounds which aims at imitating sounds produced in nature.

/O’Henry/

And the silken, sad, uncertain rustling of each purple curtain

The sky – lamp of the dark

Indirect onomatopeia is sometimes very effectively used by repeating words which themselves are not onomatopeia:

I don’t neediness it, I don’t donjon it – it goes by from me instantly.

What a worls of merriment their melody fortells,

Chasing the wild deer and following the roe

In the icy air of night

Another variety of repetition is a synonymous repetition. This is the repetition of the same idea by using synonymous words and phrases.

With the crystalline delight!

Keeping time, time, time

anastrophe

The master stylistic routine of grinning is to make images, to limited emotions and to focus this or that have of an objective or phenomenon. Sometimes simile produces humourous and satirirc burden.

3) He matrimonial and encircled himself with lilliputian fortunate cheeks.

Bells, bells, bells –

2. Similes, describing the features of the persona:

1. What SD’s do you denote to lexico-syntactical SDs?

That atatesman of his was strictly an force of the vision.

Deep into darkness peering, long I stood there

Wondering, fearing, doubting, dreaming dreams

“ Stop” – she cried, “Don’t tell me. I don’t want to hear. I don’t want to hear what you’ve come for.

I don’t want to hear”.

lexical way, with the aid of conjuctions: wish, as, as if, as though.

Alliteration is widely used in poetry, proverbs and sayings, in the titles of the books and newspaper headlines:

Circumlocution has unlike stylistic functions:

The stylistic function of phonetic SD is to create a accompaniment of the utterance conveying some emotionl effect.

Juvenility is hot and sheer

2. similes of litigate:

2. What phonetic stylistic devices do you know? Characterize them and their atylistic functions.

Jaw Six Root: THE Syntactic STYLISTIC DEVICES

Sometimes rhetorical question occurs in a simple sentence. The sentence itself forms the context which helps to show that the question is a rhetorical one.

5. What is the Poetic detail? What types of poetic details are distinguished?

It this case repetition is not a SD it is an expressive means of the language, showing the excitement of the speaker.When used a SD, repetition is a deliberate, intentional use of the same words. It has quite different stylistic functions. It does not aim at making a direct emotional impact.

Contrarily, the SD of repetition aims at logical emphasis; it calls the attention of the reader to the key words of the utterance.

Inject the honor of a conquered woe;

LITERATURE

So are those errors that in thee are seen.

5. Norris C. Theory and Practice. London, 1982.