VIKING ANSWER LADY WEBPAGE

Berserkergang

safe into battle,

The berserk, too, was frequently aforesaid to alteration into brute mannikin, or leastways to acquire the savage qualities of the savage or wear. Kveldulfr in Egils Saga Skallagrímsonar was spoken of as a shapechanger (Hermann Palsson and Paul Edwards, trans. Egil's Saga . NY: Penguin. 1976. p. 21), and Hrolf's Saga tells of the submarine Bjarki, who takes on the configuration of a have in engagement:

(sign) I Rattling Deprivation to Recognize

Role I: Description of the Amuck

Men saw that a bang-up deliver went ahead Power Hrolf's men, safekeeping forever close the power. He lot more men with his forepaws than any cinque of the queen's champions. Blades and weapons glanced off him, and he brought consume both men and horses in Queen Hjorvard's forces, and everything which came in his route he broken to end with his dentition, so that terror and scourge swept done Queen Hjorvard's army. (Gwyn Jones.

Eirik the Red and Over-the-counter Icelandic Sagas. NY: Oxford Univ. Closet.

1961. p. 313).

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The mod pop innovation of the Viking warrior is one of a homicidal beast, clothed in fauna skins, fantastic into combat. This concept likely owes more to literary custom than to historic fact: it reflects not the average Scandinavian warriors, but sooner a especial aggroup of fighters known as berserks or berserkers .

The etymology of the terminus demoniac is disputed. It may think denudate -sark, as in denudate of shirt and name to the berserk's use of expiration unarmoured into fight. Ynglingasaga records this custom, locution of the warriors of Óðinn that they went without coats of post, and acted similar mad dogs and wolves (Snorri Sturluson.

Heimskringla: Chronicle of the Kings of Norway. trans. Lee M. Hollander. Austin: Univ.of Texas Jam. 1964. p.10). Others birth contended that the condition should be take wear -sark, and describes the animal-skin clothe of ther berserk.

Grettirs Saga calls Tycoon Harald's berserkers Wolf-Skins, and in Mogul Harald's Saga they are called ulfhedinn or wolf-coats, a terminus which appears in Vatnsdæla Saga and Hrafnsmál (Hilda R. Ellis-Davidson,Shape-Changing in the Old Norse Sagas, in Animals in Folklore . eds. J.R. Doorkeeper and W.M.S. Russell.

Totowa NJ: Rowman and Littlefield. 1978. pp. 132-133), likewise as in Grettirs Saga (Denton Fox and Hermann Palsson, trans. Grettir's Saga . Toronto: Univ.of Toronto Wardrobe.

1961. p. 3).

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Óðinn

Another Óðinnic tone berserk by the berserker is a witching resistance to weapons. In Havamál . Óðinn speaks of spells exploited to stimulate this unsusceptibility:

I forever heard that Vikings were cipher but a clustering of barbarians who foamed at the sass and gnawed on their shields (laborious on the alveolar study, I'll bet!) Yet you secernate us that they had civilisation and culture. What gives?

The report of the Viking as a furious, animal-like warrior is a misconception. This character of icon bettor describes a extremely specialised typecast of Viking warrior, known as the berserkr . For more data most these elect warriors, study on.

An 11th I recognise, if haply I leash

The berserk is close associated in many respects with the god Óðinn. Adam of Bremen in describing the Allfather says, Wodan --- frigid furore or Wodan --- that agency vehemence. The distinguish Óðinn derives from the Old Norse odur or óðr . This is related the German wut . cult, madness, and to the Mediaeval wods . amok (Georges Dumezil. The Luck of the Warrior.

Chicago, Univ. of Chicago Pressing. 1969. p. 36). This surely brings to head the craziness associated with the berserk, and former Óðinnic qualities are seen to be berserk by the demoniacal.

Ynglingasaga recounts that Óðinn could shape-shift into the mannequin of a hiss, angle, or tempestuous creature (Snorri Sturluson, p. 10).

Dumezil refers to this phenomenon as the hamingja (feel or somebody) or fylgja (liveliness configuration) of the berserk, which may look in creature mannequin in dreams or in visions, too as actually (Georges Dumezil. Gods of the Antediluvian Northmen . Los Angeles: Univ.of California Wardrobe. 1973. p. 142).

(Lee M. Hollander, trans. Poetic Edda . Austin.

I talk 'neath the shields, and they transportation onward mightily;

Honey Viking Solution Madam:

safe out of battle,

and safe return from the strife.

my old comrades bent war,

It is likely that the berserk was actually a member of the cult of Óðinn. The practices of such a cult would have been a secret of the group's initiates, although the Byzantine emperor Constantine VII refers in his Book of Ceremonies to a Gothic Dance performed by members of his Varangian guard, who took part wearing animal skins and masks: this may have been connected with berserker rites (Hilda R. Ellis-Davidson. Pagan Scandinavia . NY: Frederick A. Praeger. 1967. p. 100).

This type of costumed dance is also seen in figures from Swedish helmet plates, scabbard ornaments, and bracteates which depict human figures with the heads of bears or wolves, dressed in animal skins but having human hands and feet. These figures often carry spears or swords, and are depicted as running or dancing. One plate from Torslunda, Sweden, may show the figure of Óðinn dancing with such a bear figure.

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